This is the electronic press pack for legendary world fusion band Celtarabia. Celtarabia play a wild fusion of Arabic, Andalucian, Celtic, Medieval music and contemporary beats designed to get bodies dancing. Some of this country’s finest world dance musicians play the wildest cross-over music being made in England today. Featuring Hurdy-Gurdy, Hammered Dulcimer, Vocals, Cittern, African and Arabic Percussion, Drum kit Didjeridu and Bass Guitar.As Mojo described it – from ’Erect medievalism to tribal dervish’. The band are consummate musicians and showmen ‘Expect to dance!’
‘This remarkable band use medieval and African instruments to give a mesmerising mix of trancy dancy music, with world-wide influences………. Quentin Budworth playing hurdy-gurdy as never heard before…… Amanda Lowe’s soaring vocals and dazzlingly diverse Hammer Dulcimer playing were spell-binding and up-lifting……… The joy of dance and unity of culture comes through as threads of different musical styles weave together to form a new entity, an almost spiritual experience that seems to stretch back forever and tugs at the memory.’
‘ THE SHEFFIELD DAILY STAR’
‘East/West fusion has often been attempted but never so exciting so compelling. Celtarabia compel you to dance, their insistent layers of sound trance inducing.’
‘Using a range of strange musical instruments including hurdy-gurdy, Hammer Dulcimer, Didgeridoo and Djembes, they drew from primitive African, Asian and Celtic music creating beautifully inspired global trance-dance eco-grooves, instantly likeable and danceable.’
‘It gives me no small amount of pleasure to report that Dr.Q’s hurdy-gurdy led global dance engine does indeed deliver the goods, and more. What we have here boys and girls, is a hot happening collision of sweaty syncopated rhythms and an ethnic tonal pallet that extends way beyond any limitations the bands name might imply……. this is TRUE eclecticism in action, frequently stunning in its vision and audacity.’ ‘ROCK ‘N’ REEL’
WHAT THE MUSIC PRESS SAY :
“Celtarabia’s initiative in generating dance music from archaic and medieval acoustic instruments is audacious in the exreme.” THE MIX.
“remarkably ego free music.” Q. ‘From erect medievalism to tribal dervish’
‘MOJO’“live they are intense- expect to dance!” ROCK N REEL
They have released four albums:
The Lost Music of Celtarabia GRINCD942
Ancient Forces OSMOCD011
Union of Souls Celtarabia Meets the Rootsman TEMCD013
Cult of audio GRINCD943
Quentin Budworth – Hurdy-Gurdy
Quentin Budworth is not just a hurdy-gurdy player; he creates magic with sound, transforming ancient tunes into global soundscapes that take the audience to places they have never been before.
Quentin was born in Gibraltar between two continents: Europe and Africa. Listening to the radio as a child, he absorbed the North African and Spanish musical influences that seep into his playing today. His biggest musical inspiration is the medieval court of Alfonso 10th of Spain, where the Spanish, the Moors and the Jews co-existed peacefully creating a rich and vibrant culture. This musical fusion shines through in Quentin’s playing. He has played with the legendary Suns of Arqa, recorded sessions with them for Radio 1’s John Peel and Andy Kershaw, his session tracks later being picked up by Mix Mag as their track of the month. He has collaborated with record producer Simon Emmerson of the Afrocelt Sound System and Dub producer the Rootsman.
Today Quentin’s Hurdy Gurdy playing is the magic behind Celtarabia’s unique sound. His years of experience and contacts as a musician have led him to be able to gather around him an incredible band of players.
Quentin wants to take the vibrant, celebratory Celtarabia sound to audiences across the world by playing at festivals, concerts and through the media. A fourth and fifth album are already planned; one a live recording; the other, all new material, and the question on everyone’s lips after a Celtarabia concert is: ‘When are you playing again?’. Celtarabia shows are renowned for the their incredible vibe and fantastic atmosphere –the band takes the audience to a magical place where amazing things can happen – part ritual, part party, the sound of the Hurdy-Gurdy urging people to move – touching hearts, freeing minds and making feet dance.
Amanda Lowe – Hammer Dulcimer
Amanda Lowe could be described as the most exciting hammer dulcimer player in the UK today. But she’s more than that.
Amanda spent 20 years as a street entertainer where she developed her unique style of playing, toured internationally as a medieval musician, toured with the Masters of Cymbalom in Eastern Europe, performed three times at the International Hackbrett Festivals and for the World Cymbalom Association; she has recorded a solo dulcimer album and several albums with Celtarabia and the Rootsman, and in pushing the repertoire of the dulcimer, plays with percussive, hypnotic passion. Amanda’s playing is deeply rooted in traditional folk and medieval music, although you would never know this from watching her play.
Today, Amanda tours as a solo artist and with Celtarabia, spell-binding audiences with her stunning vocal performances and dulcimer playing.
Lou Duffy-Howard – Dub ‘n’ Slide Bass
In the early days Louise Duffy-Howard was the bassist in Red Guitars. First single Good Technology was championed by the late, great John Peel who played it on Radio One. It made number 1 in the Indie chart and number 11 in his Festive Fifty. Two albums, a handful of Peel sessions and top ten Indie hits later they had toured with The Smiths, appeared on The Tube, The Old Grey Whistle Test, Oxford Road Show, John Peel’s Sounds of the Suburbs and loads of European TV shows. They played hundreds of gigs, went out to dinner with Richard Branson, signed to Virgin Records and split…
After that Lou made NME and Sounds’ records of the week with The Planet Wilson. “Crazy-James-Chance-meets-Holger-Czukay…Lou’s bass playing is unbelievable – not just the tunes she invents, but the actual sound of her fingers hitting the strings, Mike Watt of Firehose is probably the only person who could match this.” (David Cavanagh, Sounds). They were highly acclaimed by just about all the music press, played loads of gigs, released two albums and split…
Still making stunning sounds on her vintage fretless Musicman Stingray Lou is sticking with the Celtarabia crew. Together with drummer-deluxe Alan Raw, Lou’s dub ‘n’ slide bass is the backbone of Celtarabia’s medieval-with-attitude storming tunes.
Alan Raw – Drummer
Alan’s been playing drums since he was a little lad, having been born into a family tree of celebrated folk artists. He did his first gigs in his fathers Irish Ceilidh band. Starting on Bodhran, he saved up for his first kit by playing at folk festivals & busking. “I come from a long line of much better musicians than me. My great Grandfather was a drum maker and received silver drum sticks for his service as a military drummer.” “I have a good tradition to maintain and a lot to aspire to.”
Alan’s been a session drummer for many years. Highlights include: playing tours and festival gigs including Glastonbury, playing Djembe with Gambian band Roots Manding in West Africa, making a dub album with legendary lyricist Benjamin Zephaniah, an indie rock album with award winning artist Emma Rugg, a chart topping country album with Glenn Williams and many more. Alan was profiled in Geoff Nicholls (Rhythm Magazine & Making Music) book “Banging On”, he has played countless radio sessions & had BBC Radio 1 air play. Alan was profiled by the late great John Peel on Channel 4 and has not only played on, but also directed videos on MTV. He is currently touring with legendary world dance fusion group Celtarabia
Alan is Chair of the World Drumming Association and teaches drums & world percussion for a WDA Academy called Creator College, teaching music to young unemployed teens.
He’s in his 10th year as an award winning DJ & Radio Presenter for BBC Introducing. With over 1000 live sessions on the shows so far. He also presents the BBC Introducing Stage at Leeds Festival, having started the stage 8 years ago. To maintain a connection to his roots Alan is a Director of the very successful Beverley Folk Festival, enjoying it’s 30th Anniversary in 2013.
“I’ve worked in community arts since 1992, with numerous organizations; developing musical talent, coaching drummers, facilitating world percussion workshops and drum circles, chairing music industry panels at conferences and promoting sustainability in the arts.” “I am passionate about all kinds of drumming and love my work with the WDA.
Alan’s home page: Alanraw.com
All details of the World Drumming Association are on the website: DrummingAssociation.com
“Alan has developed the ability to play at wrist breaking speeds”(Geoff Nicholls, Rhythm Magazine/Making Music/Banging On)
“Alan is a true professional in all his work and is motivated to effect change in young people’s lives, increasing their own motivation, building self esteem and belief in themselves and confidence that fosters their development as effective people. You will always get the best from him.” “Expert, High Integrity, Creative.” (Amanda Eastwood, Manager of Positive Futures)
“Alan’s insight into situations and his ability to bring out the best in people is unrivalled by anyone I’ve ever met. He’s one of the wisest people I know and his advice has been of great value to me. Alan oozes inspiration!” (Graham Albans, Indie Rock Drummer & Radio Producer at BBC Radio 2)
“Alan has an extremely wide range of skills, knowledge and experience, especially in world percussion and drum teaching.” “He is professional and methodical when it comes to delivery, and also great fun to work with.” “Great Results, Expert, Creative” (Darren Squires, MD Creative Projects Ltd & Festival TV).